Works
12 Chorales, Zwölf alte deutsche gestliche, S.50
12 Etudes pour le piano-forte, S.136, R.1
12 Grandes Etudes, S.137, R.2a
12 Lieder von Robert Franz, S.489
12 Soirées Musicales, S.424, R.236
19 Hungarian Rhapsodies, S.244, R.106
2 Concert Etudes, S.145, R.6
2 Czardas, for piano, S225/R45
2 Episodes from Lenau's Faust, S.110
2 Episodes of Lenaus Faust, for piano 4-hands, S.599
2 Pieces from 'Lohengrin' and 'Tännhauser', S.445
2 Polonaises, S.223, R.44
2 Romanceros espagnol, S.695c
2 Russian Melodies, S.250
2 Waltzes, S.208a, for violin and piano
3 Concert Etudes, S.144, R.5
3 Lieder aus Julius Wolffs Tannhäuser, S.498
3 Petrarch Sonnets I, for piano, S.158
3 Schubert Marches, for piano, S426/R251
3 Sonetti di Petrarca, S.270
3 Songs from William Tell, S.292
4 Consolations, for organ
4 Geistliche Lieder, S.562, R.247
4 Valses oubliées, S.215, R.37
4 Vier Kleine Klavierstücke, S.192
5 Hungarian Folk Songs, S.245, R.108
6 Consolations, S.172, R.12
6 Hungarian Rhapsodies, S.359
6 Melodies of Franz Schubert, S.563
6 Müllerlieder, S.565, R.249
6 Organ Preludes and Fugues, S.462, R.119
6 Polish Songs, S.480, R.145
6 Soirées italiennes, S.411
7 Variations brillantes sur un theme de Rossini, S.149, R.148
8 Préludes et Harmonies poétiques et religieuses, S.171d
A magyarok Istene, for chorus, S339/R635
Ab irato, S.143, "The Perfect Etude"
Agnus Dei de la Messe de Requiem, S.675c
Album d'un voyager, S.156
Album-Leaf: Consolation no. 1, S.171b
Alleluia et Ave Maria, S.183
Am Grabe Richard Wagners, for string quartet, S.135, R.474
Am Grabe Richard Wagners, S.202
Am Grabe Richard Wagners, S.267
Am stillen Herd aus den Meistersingern, S.448, R.281
An die Kunstler, for chorus, S70/R540
Andante finale and March, S.421, R.233
Andante religioso, S.261a
Anfangs wollt' ich fast verzagen, S.311
Angelus! Prière aux anges gardiens, for harmonium, S.672c
Angelus! Priere aux anges gardiens, for string quartet, S.378, R.473
Angiolin del biondo crin, S.269
Années de pèlerinage, S.160-163, R.10a-e
Aprés une lecture du Dante I, fantasia quasi sonata, S.158c
Ave Maria in D flat major, S.504/2
Ave Maria in G major, for voice and piano in G major, S.341
Ave Maria von Arcadelt, S.659
Ave Maria, for chorus and organ ad lib, S.20/1, R.496a
Ave Maria, for chorus and organ, S.20/2
Ave Maria, for soloist and organ, S.681
Ave Maria: Die Glocken von Rom, S.182
Ave maris stella I in G major, for chorus and organ, S.34/1, R.499a
Ave Maris Stella in D major, for voice and piano, S.680
Ave verum corpus, for chorus and organ ad lib, S.44
Bagatelle without Tonality, S.216a, R.60c
Ballad from 'The Flying Dutchman', S.441
Ballade no. 1, S.170, "Le Chant du Croise"
Ballade no. 2 in B minor, S.171, R.16
Ballade, for piano no. 2 in B minor, S.170a
Ballade, for piano no. 2 in B minor, S.171
Benedictus and Offertorium aus der ungarischen Krönungsmesse, S.501
Benedictus and Offertorium, for violin and piano, S.381, R.465
Buch der Lieder, S.531, R.209
Cantico del Sol di San Francesco, cantata for soloist, male chorus, orchestra, and organ, S.4/2
Carrousel de Mme. Pelet-Narbonne, S.214a, R.60b
Ce qu'on entend sur la montagne, for 2 pianos, S. 635, "Bergsymphonie"
Ce qu'on entend sur la montagne, S.95, R.412, "Bergsymphonie"
Chor der Engel aus Goethe's Faust II, for chorus, harp, piano and harmonium, S. 85/2
Chore zu Herders entfesseltem Prometheus, for chorus, S69/R539
Christus for soloists, chorus, orchestra and organ, S.3, R.478
Christus ist geboren, for chorus and organ
Christus ist geboren: Nato e Cristo Redentor, S.502
Comment, Disaient-ils, S.276
Concert Paraphrase of 'Ernani', S.432
Concert Paraphrase of 'Rigoletto', S.434, R.267
Concerto pathéthique in E minor, S.365b
Concerto pathéthique, S.367
Consolations Nos. 3-6, S.672d
Csárdás macabre, S.224, R.46
Csardas obstine, for piano, S618/R300
Dance macabre, S.555, R.240
Dante Symphony, for 2 pianos S.648
De Profundis, Psaume Instrumental, S.121a
Dem Andenken Petofis, S.195, R111
Der Asra, S.554/2, R.239/2
Der du Von dem Himmel Bist, S.279
Der Herr bewährt die Seelen seiner Heiligen
Der König von Thule, S.278
Der traurige Mönch, for narrator and piano, S.348
Des Tages laute Stimmen schweigen, S.337
Die drei Zigeuner, for violin and piano, S.383
Die Fischertochter, S.325
Die Legende von der heilgen Elisabeth for soloists, chorus and orchestra, S.2
Die Rose, Romanze aus der Oper Zemir und Azor, S.571, R.259
Die stille Wasserrose, S.321
Die tote Nachtigall, S.291
Die Trauer-Gondel, S.199a, no. 1
Die Zelle in Nonnenwerth, S.274
Domine salvum fac regem, for chorus, S23/R504
Don Carlos: Coro di festa e Marcia funebre, S.435
Don Sanche, opera, S476/R13
Du Bist wie Eine Blume, S.287
Duo Sonata, for violin and piano, S.127
Einleitung, Fuge and Magnificat aus der Symphonie zu Dante, S.672b
Elegie no. 1, for cello and piano, S.196, "Schlummerlied im Grabe"
Elegie no. 1, for violin, piano and harmonium, S.130ter
Elegie no. 2, for violin and piano, S.131
Elégie sur des motifs du Prince Louis Ferdinand de Prusse, S.168
Elegie: Die Zelle in Nonnenwerth and piano, S.382
Enfant, si J'étais Roi, S.283
Epithalam zu Eduard Reményis Vermählungsfeier, for violin and piano, S.129
Es muss ein Wunderbares sein, S.314
Es rauschen die Winde, S.294
Es war einmal ein König, for soloist, male chorus and piano, S.73
Evocation à la Chapelle Sixtine, for organ, harmonium or pedal piano, S.658
Excelsior! Preludio zu dem Glocken des Strassburger Münsters, for organ, S.666
Fantasia on Hungarian Folk Themes S.123, R.458, "Hungarian Fantasy"
Fantasia on themes from 'Der Freischütz, S.451, R.284
Fantasie sur des motifs favoris de l'opera La sonnambula, for piano, S393/R132
Fantasie über Motive aus Figaro und Don Juan, S.697
Fantasie über Motiven aus Beethovens Ruinen von Athen, S.122
Fantasy and Fugue on the chorale 'Ad nos, ad salutarem undam', S.259
Fantasy and Fugue on the Chorale Ad nos, ad salutarem undam, S.624, R.314
Fantasy and Fugue on the Theme B-A-C-H, S.529
Fantasy on motives from the opera 'La sonnambula', S.393, R.192
Fantasy sur l'opéra hongroise Szép Ilonka, S.417
Faust Symphony, S.108, R.425
Feierlicher Marsch zum heiligen Gral aus Parsifal, S.450
Festklänge, symphonic poem for piano, S.511d
Festmarsch nach Motiven von E.H. z. S.C.-G., S.116
Festmarsch zur Goethe Jubilaumsfeier, S.115
Feuille d'Album no. 1 in E major, S.164
Feuilles d'album in A flat major, S.165
Freudvoll und Leidvoll, S.280
Galop de bal, S.220, R.42
Galop in A minor, S218/R40
Gottes ist der Orient II, for male chorus, S.90/12
Grand Duo concertant sur la Romance de 'Le Marin', for violin and piano, S.128 and S.700h
Grand fantasia de bravoure sur 'La clochette', S.420, R.231
Grand fantasy on motives of 'Soirées Musicales': La serenata e L'orgia, S.422, R.234
Grand galop chromatique, S.219
Grand Paganini Étude, S.141
Grand Septet, S.465, R.127
Grande Fantaisie symphonique über Themen aus Berlioz's 'Lélio', S.120
Grande paraphrase de la marche pour Sa Majesté le sultan Abdul Medjid-Khan, S.403, R.157
Grande valse di bravura, for piano 4-hands, S.615, "Le bal de Berne"
Grandes Etudes de Paganini, S141/R3b
Gretchen: 2.Satz aus der Faust-Symphony, S.513
Grosses Konzertsolo, S.176, R.18
Harold en Italie, S472/R138
Historiche ungarische, S.205, R.112
Hosanna, for trombone and organ, S.677, R.409
Hungaria, symphonic poem for piano, S.511e
Hungarian Battle March, S.119
Hungarian Coronation Mass, S.11
Hymne à Sainte-Cécile, S.491, R.168
Ihr glocken von Marling, S.328
Illustrations du 'Prophète', S.414, R.222
Im Rhein, im schönen Strome, S.272
Impromptu in F sharp major, S.191
Impromptu brillant sur des themes de Rossini et Spontini, S.150, R.29
In Dominum Domini Ibimus, prelude, S.671
In festo transfigurationis Domini nostri Jesu Christi, S.188
Isoldens Liebestod: Schlußszene aus Tristan und Isolde, S.447
J'ai perdu ma force et ma vie, S.327, "Tristesse"
Jeanne d'Arc au Bûcher, S.293
Klavierstück in F sharp major, S.193
Kling leise, mein Lied, S.301
La Lugubre gondola, for violin and piano, S.134bis
La lugubre gondola, S.200
La notte, for violin and piano, S.377a
La tombe et la rose, S.285
Le carnaval de Pesth, S.379, R.470
Lenore, for narrator and piano, S.346
Les adieux, rêverie, from 'Romeo et Juliette', S.409, R.169
Les sabéennes, Berceuse from 'The Queen of Sheba', S.408, R.167
Licht, mehr Licht, for chorus, S84/R554
Liebestraum, 3 notturnos, S.541
Magyar kiraly-dal, for chorus, S93/R563
Malédiction, for piano and string orchestra, S.121
Marche et Cavatine de Lucia de Lammermoor, S. 398
Marche funèbre de 'Dom Sebastien', S.402, R.156
Mariengarten, for chorus, S62/R512
Mazurka pour piano composee par un amateur de St. Petersbourg, S.384
Mephisto Polka, S.217, R.39
Mephisto Waltz no. 1, S.514
Mephisto Waltz no. 2, S.111
Mephisto Waltz no. 2, S.515
Mephisto Waltz no. 3, S.216, R.38
Mephisto Waltz no. 4, S.216a, R.60c, "Bagatelle sans tonalité"
Mephisto Waltz no. 4, S.696
Mignons Lied, S.275, "Kennst du das Land"
Miserere du Trovatore, S.433
Missa choralis quatour vocum concinente organo, for chorus and organ, S.10
Missa solemnis zur Einweihung der Basilika in Gran, S.9
Morceau de salon, étude de perfectionnement, S.142
Morgens steh' ich auf und frage, S.290
Mosonyis Grabgeleit, S.194
Muttergottes-Sträusslein, S.316
Nimm einen Strahl der Sonne, S.310, "Ihr Auge"
Nun danket alle Gott, for chorus, brass, percussion and organ ad lib, S.61
Nun danket alle Gott, S.674c
O du mein holder Abendstern, from 'Tannhäuser', S.444, R.277
O Roma Nobilis, for chorus and keyboard, S.54
O sacrum convivium, S.674a
O salutaris hostia II, for chorus, S.43
O! Wenn es doch immer so bliebe, S.554, R.239
Oh! pourquoi donc, S.301a
Ora pro nobis, litany, S.262
Orchester-Einleitung aus der Legende von der heiligen Elisabeth, S.663a
Orpheus, symphonic poem, S.511b
Orpheus, symphonic poem, S.672a
Overture to 'Der Freischutz', S.575, R.289
Overture to 'Tannhäuser', S.442, R.275
Overture to 'William Tell', S.552, R.237
Paganini Caprices, S.140, R.3a
Pastorale: Schnitterchor aus den Entfesselten Prometheus, for piano, S.508
Pater Noster I in A flat major, for chorus and organ, S.29
Pater Noster III in F S. 41/1
Phantasiestück über Motive aus Rienzi, S.439
Piano Concerto no. 1 in E flat major, S.124
Piano Concerto no. 2 in A major, for 2 pianos, S.651
Piano Concerto no. 2 in A major, S.125
Piano Concerto no. 3 in E flat major, S.125a
Piano Piece in A flat major, S189a/R44a
Piano Sonata in B minor, S.178
Polonaise brillante, op. 72, S.455, R.460
Polonaise from 'Eugene Onegin', S.429, R.262
Prelude a la polka de Borodine, S.207a
Prelude and Fugue on the motive B-A-C-H, S.260i
Prelude and Fugue on the motive B-A-C-H, S.260ii
Preludio per Il Cantico del Sol di San Francesco, S.665
Psalm 129, De profundis, S.16i
Psalm 13: Herr, wie lange, for tenor, chorus and orchestra, S.13b
Psalm 18, Coeli enarrant gloriam Dei
Psalm 23, Mein Gott, der ist mein Hirt for soloists, chorus and keyboard
Qui seminant in lacrimis, for chorus and organ, S.63
Rákóczi-Marsch, for 2 pianos, S.652a
Regina coeli laetare, S.663
Réminiscences de 'Lucrezia Borgia', S.400, R.154
Réminiscences de 'Lucia di Lammermoor', S.393, R.151
Réminiscences de 'Lucia di Lammermoor', S.397
Réminiscences de 'Norma', S.394, R.133
Réminiscences de 'Simone Boccanegra', S.438, R.271
Réminiscences des 'Huguenots', Grande Fantaisie dramatique, S.412
Repsonsorien und Antiphonen, for male chorus and organ ad lib, S.30
Revive Szegedin, S.572, R.260
Rhapsodie espagnole, S.254, R.90, "Folies d'Espagne et jota aragonesa"
Romance in E minor, S.169
Romance oubliée, for viola and piano, S.132
Romance oubliée, S.527, R.66b
Rosario, for soloist, chorus and organ
Russian Galop, S.478, R.143
S'il est un charmant gazon, S.284
Sacred Dance and Final Duet from 'Aida', S.436
Salve Maria de Jérusalem, S.431
Salve Regina, for chorus, S.66
Sancta Dorothea, S.187, R.73
Sarabande and Chaconne from 'Almira', S.181, R.25
Scherzo in G minor, S.153
Scherzo und Marsch, S177/R20
Schlaflos, Frage und Antwort, nocturne, S.203
Schwanengesang, S.560, R.245
Second fantasy on motives of 'Soirees musicales': La pastorella dell'Alpi e Li marinari, S.423, R.235
Slavimo, slavni, Slaveni!, S.668
Soirées de Vienna, 9 Valses caprices d’après Schubert, S.427
Spinnerlied aus Der Fliegenden Holländer, S.440
Spirto gentil, from 'La favorite', S.400a
Symphonie fantastique, S.470
Symphony no. 1 in C, S.464/1
Symphony no. 2 in D, S.464/2
Symphony no. 3 in E flat major, S.464/3
Symphony no. 4 in B flat major, S.464/4
Symphony no. 5 in C minor, S.464/5
Symphony no. 6 in F, S.464/6
Symphony no. 7 in A major, S.464
Symphony no. 7 in A, S.464/7
Symphony no. 8 in F, S.464/8
Symphony no. 9 in D minor, S.464/9
Symphony to Dante's Divina Commedia, S.109, R.426
Szózat and Hungarian Hymn, S.486, R.158
Tannhauser: Pilgrim's Chorus, S.443
Tarentelle di bravura d'après la tarantella de 'La muette de Portici', S.386, R.117
Tasso: Lamento e Trionfo, S.636
Tasso: Lamento e Trionfo, S.96
Transcendental Etudes, S.139, R.2b
Trauerode, oration, S.268/2
Trauervorspiel und Trauermarsch, S.206
Tristia, from Vallée d'Obermann, for violin, cello and piano, S.378c
Tscherkessenmarsch aus Russlan Ludmilla, for piano 4-hands, S.629
Tu es Petrus aus dem Orartorio Christus, S.664/1
Über allen gipfeln ist Ruh', S.306
Und wir dachten der Toten
Unstern! Sinistre, disastro, S.208
Urbi et Orbi, bénédiction papale, S.184
Valhalla from 'Der Ring des Nibelungen', S.449, R.282
Valse à capriccio, sur deux motifs de 'Lucia et Parisina', S.401, R.155
Valse impromptu, S.213, R.36
Variation on a Waltz by Diabelli, S.147, R.26
Variationen über das Motiv von Bach: Weinen, Klagen, S.673
Variations on a Bach motive: Weinen, Klagen, S.180
Variations on Bach's Weinen, Klagen, Sorgen, Zagen and Crucifixus from Mass in B minor, S.673, R.382
Venezia e Napoli, S159/R10d
Vexilla regis prodeunt, for piano, S185/R70
Via Crucis: Les 14 stations de la croix, for soloists, chorus, and organ, S.53, R.534
Von der Wiege bis zum Grabe, S.107, R.424
Waltz from 'Faust', S.407, R.166
Wedding March and Dance of the Fairies, S.410, R.219
Weihnachtsbaum, 4 hands, S.613
Wer nie sein Brot mit Tranen ass, S.297
Wie singt die Lerche schön, S.312
Wieder möcht ich dir begegnen, S.322
Winterreise, S.561, R.246
Zum Haus des Herrn ziehen wir, S.505
Zwei Kirchenhymnen, S.669